Word Portrait– Flying in to Anchorage

I happened upon this piece of writing that I did 8 years ago. It reminds me of how important landscape is to me. Most of what I end up drawing is landscapes of varying sizes. It also gives a taste of what it’s like to “come home” to Anchorage after spending time in the “Lower ’48”– which is, at minimum, 3 1/2 hours of flying time away.

It is mid-April. Flying in from the south, from Seattle, if you were
just below the low, gray moving clouds, you would see crest after crest
of white mountains, sharp and tongued boldly with glaciers. It is a
place where Mother Nature will not be thwarted. It is dense and rugged,
this mountain landscape.

There would have been for you to see, if there
had not been clouds, a scattered pattern of tiny towns separated by
mountains, glaciers, fiords, tidewater. In the towns you might have
seen, had you been able to see that far below, small fishing boats
plying the waters. Fishermen swigging coffee, smoking, with intense,
competitive eyes.

You would have been captivated by the activity in the
Copper River Delta, the home of the famed Copper River Kings and Reds.
The eyes of the fishermen, and every muscle, attend toward the goal of
holding their grounds and securing the fish. The activity of the
fishermen, wind beaten. They’d prepared their craft during the winter–
painting, patching. With the approach of spring, life quickened. The
clouds scarcely made way for the blue. When they did, it was a real
event for the townspeople. They were out– in the street, in tiny
towns. Down to the grocery, the cafe, the bar, sharing conversation.
Not that they didn’t do so at other times. Rain never stopped anyone.
Nevertheless, folks kind of went crazy in the sun.

Now, however, your plane is approaching Anchorage. You are over Cook Inlet, and as you veer around toward the runway, you see the shapes the tide makes in the
clay. The sky is gray. The clay is gray. The water is gray. Used to be
there were tiny boats made their way between Hope on the other side of
the Turnagain Arm and the railroad line. It was a dangerous routine.
These men knew the shifting of the tidewater of the Arm like the backs
of their hands. No one makes that trip anymore. The Gold Rush is long over– along with its unique motivation for living and thriving in Hope– remote yet so
close to Anchorage.

You are almost on the runway. You see the black
spruce, skinny sentinels, coming to meet you, or you them. The wheels
touch. The plane screams to a halt. You are home. But don’t forget now
where you are and when you go to the cafe for a latte, don’t forget
your place in the scheme of things.

Pam McDowell Saylor

May 9, 2003

Things Are Alive 16

Life in the Back

I love alleys, and I knew I wanted to draw an alley scene. However, I just couldn’t find the “right” spot and I was tiring of driving around our area, so I settled on parking in our own little parking lot next to our garage on our own alley. I parked sideways so I could open the car window and comfortably peruse the scene. The ants ended up being out of proportion, but then, by merit of their activity, perhaps they deserve extra notice.

Things Are Alive 15

Don't Fence Me In

The day I drew this picture, I knew I wanted to draw clouds. I also yearned to be close to the water. So I ended up at the well-worn vista overlooking Susitna. I quickly drew the basic composition so I could have time drawing the clouds. Once I figured out that little dots were the way to go, the clouds began to create themselves on the paper. They took most of the rest of the time. I was grateful that the magpie showed up, very stern indeed, and just a couple feet from my face, to add an element of interest. Appropriately, he is semi-transparent because his presence was fleeting, if powerful. The other signs of life were airplanes taking off and landing at the Anchorage International Airport, and a lone small watercraft whizzing by in the distance.

Things Are Alive 14

Things Left Hanging (Side Street Espresso)

Still a bit jet-lagged, I opted for familiarity and comfort, and returned to Side Street, which has just the best coffee in a coffee-inundated town and a hospitable and  laid-back atmosphere. I was trying to take the perspective of remaining aware of the space around me, and it came out in this way– the hanging objects, plus the cloudy-day sky above the ceiling.

Pamela Ann McDowell Saylor